Your Questions

Q

Dear Bernard, I enjoyed 'Gallows Thief' very much, and particularly the colourful and often bizarre vocabulary that your London characters used. I noticed (correct me if I'm wrong) that none of them referred to each other as 'mate', which contemporary Londoners seem to do all the time, taxi-drivers especially. Did that term of address not exist in Regency times? Sorry, this is not the most riveting of questions, but I am very much curious, and I wonder when did it ever creep into everyday use. Do you have any idea? Thank you. Paul Reid, County Cork.

A

The word enters the language very early - 14th Century - but its popularity seems to explode in the 19th (I'm deducing this from the citations in the OED). In Gallows Thief it's part of the 'Flash' language, which was the argot used by underworld London in the late 18th and early 19th centuries - a 'private' language so dense that some magistrate's courts employed translators. Many flash words crossed over into mainstream English, and I suspect mate was one of them . .in the jocular sense . . it already had a perfectly respectable existence as a naval rank, or to describe a wife or husband.


Q

I recently wrote you regarding how much I enjoyed your Saxon series. I have a quick question if you don't mind answering. While writing the books, did you find that you enjoyed writing Uhtred more when he was with the Danes or with the English? Or did you find no preference either way. I was just curious. Thanks again for all of your work. David Stackel

A

No preference. I just enjoy him! Probably enjoy him most when he's with Alfred because he really does not like him, but does have a curious admiration for him.


Q

I have enjoyed your Grail Quest books immensely, and I have especially enjoyed their accuracy. So I am a little surprised to find a mention of phlogeston, which I thought was seveteenth century invetion. Do you know something I don't? Please make you books longer. Ol Rappaport

A

You're absolutely right and I wish you hadn't told me that! I'd always assumed it went back to mediaeval alchemy and, on checking (several years too late) discover that it is 17th Century. Mea culpa. Thanks!


Q

Hi Bernard, I actually read your book "The winter king" in the German translation. It's the first book of you I read and I like it. I think I've found a mistake. You have written about swords, made of steel. But steel doesn't exist in the fifth century. Steel is an invention of the eighteenth century. Greetings from Germany Christoph Keseberg

A

Greetings! Steel did exist! The Saxons even had a word for it - 'steeli' occurs at the period of the books I write! But I know what you mean. You're right, of course, that the steel-making process was not understood until the 19th Century, and today steel means iron containing less than 1.7% of carbon (just looked it up), but steel did exist! Experienced blacksmiths noted the different properties of the iron they forged, and how some was brittle and some was more pliable, and they learned how to make each kind by trial and error. They did not know why it worked! But they knew that keeping the iron on the fire for differing periods produced different types of iron, and one they called steel . . . . and they did use that word (it's mentioned in the great Anglo-Saxon poem Beowulf) So I decided I could too . . . . thanks!


Q

Hi Bernard, It's a shame you haven't seen the 2004 King Arthur film. I'd be interested to hear what you make of the Saxons invading England via the north west of Scotland! As for their use of crossbows....... As someone who loves history do Hollywood historical 'liberties' irritate you much? James

A

I think that's why I didn't go and see the film! Saxons from the north west? Wow, but then Stonehenge was supposedly built by little green men from Mars, so nothing is left to astonish us. Hollywood's liberties drive me up the wall (my wife refuses to sit beside me in historical films), but my mistakes probably drive other folk up the same wall . . . . oh well. Fraid I never am going to see that movie, would be bad for my blood pressure.


Q

I would like to read more about a redcoat's state of mind.

What was his mental state when he realises he's being ordered to walk slowly into a hail of fire?

How does he equate the King's shilling with near-certain death?

When drawn up into ranks, was there an unseemly manoevre to get into the back row?

Having seen the bloodbath and pain of previous battles, wouldn't more of them "crack"?

Sharpe recovers from a bad wound and is only too keen to risk it again. TS

A

I don't think he was that different from today's soldiers, and there certainly was no unseemly shuffle to get in the back rank! They had huge pride in their achievements! They were professionals, and far from facing certain death, they reckoned they were being led to certain victory. Death rates in battle were not that different from, say, the rates in an infantry platoon of the Second World War. It may seem ludicrous to us that they wore bright colours and stood in close rank, but that's a product of the inadequate weaponry they faced and, as soon as those weapons became more accurate (and death more certain) the tactics changed. There was war-weariness, and Sharpe shows it in the books, and only an idiot would not have felt fear in battle, but that is a constant in history. Interestingly it is the French, with their conscript army, who are forced into using columns, from which it's hard to escape. Why didn't they crack? Well some did. But most kept going and, I'm certain, that had nothing to do with King and Country, and everything to do with not letting down your mates . . . how often have we heard of the bonds between men in battle? Tighter than family, and that, I think, is what inspired them and gave them the necessary courage . . . . which was bolstered by discipline, training and a genuine confidence (in Wellington's army, at least) in the quality of the leadership being provided.


Q

Hi I need your help on finding Naval source books for the Napoleonic War period of time, since I want to write a series about a American born Pirate named Redjack, I've been reading Patrick O'Brien series which is helpful but confusing for a luber like myself. LW

A

There are so many books! You could sink a ship with all those books! So so many it's hard to know where to start - but maybe start at the very top and look for The Wooden World by N. A. M. Rodger. Then follow his bibliography . . . . his more recent book, The Command of the Ocean, is brilliant, and you will find the bibliography there much more up to date - but in both cases slanted heavily towards the Royal Navy. O'Brien is wonderful, of course, and very technical. There was a recent book on the American frigates of 1812 called Six Frigates by Ian Toll, and his bibliography could point you to specifically American sources. Good liuck!


Q

Dear Mr Cornwell Since a young teenager I have been a great fan of C. S. Forester. I read and re-read many of his books, including Death To The French. Later I began reading, and re-reading, Sharpe. I have continued to do so with a great deal of pleasure, but I have often wondered whether some of your inspiration for Sharpe may have come from C. S. Forester's novel. Two days ago I finished Sharpe's Escape for the second time and I noticed newly promoted Rifleman Dodd disappearing down the hill to escape from the French and not returning. I have spent today wondering about that. It has been many years since I read Death To The French but I felt sure that the hero's name was also Matthew Dodd - it's been frustrating waiting for the day to end so that I could check. I am immensely pleased to find this is so, also that they both disappeared on the retreat to the lines of Torres Vedras. I hope this is not just a coincidence. With many thanks for hours of pleasure and entertainment. Yours sincerely, Titus Hackman

A

I loved the Hornblower books as a kid and so yes, it's not just a coiincidence but more of a tribute to C.S. Forester.


Q

I just wanted to know if you were planning on writing a book about Sharpe's battle in Flanders? If not the ideas out there and I want royalties (just kidding) love the Sharpe books and once I've finished will read some other of your books. Tom Owen

A

Having taken Sharpe backwards in time once I'm not inclined to do it again, but who knows? I once said I'd never write the Indian books and I did.


Q

Dear Mr. Cornwell, I'd never read any of your books before, but I just finished reading your three Saxon novels and thought they were excellent. I have just one brief, rather mundane question. In the third book you mention that Ragnar the Younger has a crippled hand. Could you refresh my memory as to how and when this happened? Thanks much, and I can't wait until the next installment.

Dawn Massie

A

At the battle of Ethandun which ends the second book . . . . .