Mr. Cornwell, Hello, it's been a while since I've last written. I have been busy preparing my manuscript for consideration at this year's HSN conference and have had time for little else. I thought I'd take a break from all that to put a few questions to you that have been bubbling up in my mind lately.
First, I was wondering if you have ever read the work of F. Van Wyck Mason? He was a wonderful, prolific writer of historical novels during the 1950's. He wrote a book called "Golden Admiral" about Sir Francis Drake and the Armada, another book called "Cutlass Empire" detailing the life and exploits of Henry Morgan in the 17th century Caribbean, as well as a quintet of books about the American Revolution. In the forward to one of his books he states: "The writer of a novel which employs an historical setting is, I believe, to the careful historian somewhat as a landscape painter is to an architect. While a painter is at liberty to present and emphasize those details of a scene which attract and interest him, an architect must present the most minute details of his plan." That seemed like one of the best definitions I've ever come across for what you do and I just wanted to get your opinion on it.
Second, I was curious to discover that the character in one of your sailing novels, "Wildtrack", shares his last name (Sandman) with that of the protagonist of your other novel Gallows Thief. Is this just a coincidence or are they meant to be descendants, or was it just a wonderful accident?
Also, are the Gallows Thief stories in any way inspired by Ernest Hornung's character A.J. Raffles? They are both first class cricketers. Are you familiar with the Raffles stories? I always loved the idea that Hornung was Conan Doyle's brother-in-law and so created a gentleman thief to counter Doyle's immortal Sherlock Holmes.
Third, I was interested to read your comment about C. S. Forester's "ka-bob method" of story construction. I was wondering where you read that? I have been looking for anything Forester wrote on the craft of writing and never do I have much luck. The longest collection of his thoughts seem to have been recorded in the Hornblower Companion- where he compares the stimulus for a story to a waterlogged timber sinking to the bottom of his subconscious.
Last, I wanted to ask if you had ever read the works of Talbot Mundy? His books "King of the Khyber Rifles" and "Tros of Samothrace" are some of my favorites. His works are credited with having inspired a legion of early pulp adventure writers like Robert E. Howard. Did his work influence you at all? Anyway, thanks again for you time and good luck with the online book club through B+N. I think it's a great idea and puts me in the mind of a master craftsman who is unafraid to present his work for the close examination of others. R. Kulb