Mr. Cornwell, A Few More Questions... 1. I've read that C.S.Forester was a huge inspiration for you in creating Sharpe, but I was wondering if you were also familiar with the works of P.C. Wren; specifically his famous novel "Beau Geste"? I ask because some of the concepts in the book like the sadistic sergeant, the warring tribes and the lost sultan's treasure seem to echo in your excellent India trilogy as well. 2. What are some of your favorite paintings/painters from the Napoleonic period? I ask because I recently tracked down Haythornthwaite's wonderful "Napoleonic Source Book" and it is bursting with many fine and vivid paintings and drawings of the period. Do you ever use paintings to inspire you to write or understand more clearly what was going on? In your experience, are any of the paintings really accurate or are they mostly overly romanticized? 3. Ever thought about writing of the Zulu War? Isandlwana, Rorke's Drift, Ulundi etc..probably alot of vertile story ground. 4. Have you read the recently translated novel "Captain Alatriste" by Spanish writer Arturo Perez-Reverte? If so what did you think of it? 5.What do you think is more likely to happen first- you publishing another Starbuck Chronicle or one of your books being selected for Oprah's Book Club? ..thanks again for your time, professionalism and excellent work. R.Kulb Phila. PA
1. I know of the novel, but confess I've never read it. I suppose certain themes like lost treasure and sadistic sergeants are constants in historical adventure fiction.
2. I probably use the paintings of Charles Hamilton Smith most - which were published by Greenhill with a text by Philip Haythornthwaite (Wellington's Army, 2002). I use those paintings (and of course those by Dighton) for uniforms, but I don't think I use them much to discover what was going on in battle - mainly because the painters were forced to leave out most of the smoke! Otherwise they'd all look like early impressionists. Probably the most useful book I use is Military Dress of the Peninsular War by Martin Windrow and Gerry Embleton which was published (don't know when) by Ian Allan - my copy is so ancient that it long ago fell apart and the remnants, minus the copyright page, are in a three ring binder which is itself now falling apart. I'm not sure the paintings are over-romanticised (though some undoubtedly are), but the painters needed patrons and you wouldn't make a living by including too many guts strewn across the ground or by depicting chaos (the patrons had to look as if they knew what they were doing which, in many cases, they did.) The painting was a celebration of victory and heroism, not a record of horror - though there are exceptions - Goya, of course, and General Lejeune's great painting of the capture of the Convent of Saint Engracia in Saragossa.
3. I've thought about it, but I don't think it's going to happen. Too many other things I've thought more about!
4. I haven't read it, but I do like Arturo Perez-Reverte's books, so I undoubtedly will read it.
5. I think hell willl freeze over and pigs will soar like eagles before Oprah selects one of my books!