Your Questions

Q

Hi,

I'm hoping you might be able to help. As a fan of your Uhtred and Arthur novels I have developed an interest in the old British and Anglo-Saxon languages. I understand that the oldest language in Britain, that we are aware of, is Common Brittonic, from which the more modern Celtic languages were developed. I am looking to translate some modern English into Common Brittonic, but I cannot find any translation services or help. Could you possibly give me some ideas about who to approach or where to look?

Stuart Anderson

A

I’m sorry, I don’t have a clue! I can struggle through Old English (Anglo-Saxon) and can just about manage Latin with the help of a dictionary and grammar, but my Welsh, and all the related languages, are Greek to me. I’m sure there must be a beginner’s guide to the Brythonic languages, but I don’t know of it. Sorry.


Q

Uhtred often crosses paths with old flames in later books. His path has never crossed his first wife's again. I was wondering why not. and if they ever would cross again.

John

A

I think the only first wife whose path he could cross is Mildred, and she’s immured in a convent. He doesn’t hang about much in convents.

 


Q

Hello,

Generally speaking, in most of the Sharpe series of books,  things end badly for the French. The Grail Quest series of books cover the hundred years war which ended in defeat for the French. How are your books received in France? Have you ever been accused of Francophobia?  I have read about a dozen books on occupied France 1940-44.  Americans/British writers who research books on Vichy France often complain that French people (sometimes) won't talk about it, or feign ignorance of this period.  I don't know but I am assuming the same about "The Hundred Years War and The Peninsular War".

Regards and thanks,

Adrian.

A

The French have translated a number of my books, though I never enquire into the sales figures, and no, I haven’t been accused of Francophobia, I suspect they think that ignoring me is the best response, which it is! As for the Napoleonic or the Hundred Years War, they simply look different from the other side of the channel. Remember that the French won the Hundred Years War, so there’s plenty there for national pride, especially Joan of Arc. The English tended to win spectacular battles, like Agincourt and Poitiers, while on their way to a strategic defeat. As for the Napoleonic Wars the French are extremely proud of Napoleon so they tend to celebrate his great victories while ignoring his setbacks. It’s natural! C’est la vie!

 


Q

Sir:

I'm in the middle of the second volume of "The Last Kingdom" series.  I had read the first volume (hardback) several years earlier and couldn't resist Amazon's $2 Kindle offer and re-read it (kudos to their marketing department). I was curious about someone who could turn out as many good stories as you have, so came to this website. I must say that I'm very taken with your audience involvement and your generosity in answering so many questions, etc. I wanted to ask you about your writing discipline which you may have addressed elsewhere, but I couldn't find it. I've read that Trollope set aside a certain amount of time each morning to write and once, when he had completed a novel before the allotted time was up, started another novel. How many hours a day do your write? Or do you have a word count that you try to complete?  I think I saw that you try to do two books a year?  I also wanted to ask you about how you approach a new story series. Do you have a plan sketched out of where your main characters end up? [I guess with historical fiction, this is somewhat constrained by historical fact.] Are you an outliner?  Or a "panster?"  I'm 62 and attempting my first novel as much to understand the process as in hopes of being published. I've personally found (to my delight) that it is only in writing the first draft of a story that I can catch hold of the character and narrative that I've initially set out to put on paper (well, screen).  In any case, I always try to remember the basis of the art of storytelling, the question that should always be in the mind of the reader :  "And then what happened?"  You are terrific at "And then what happened?"

James Stokien

A

I write eight, nine hours each day (that includes daydreaming).  I always start with a stick figure....but there aren't any rules!  I like to get the story straight so I write fast, pushing the story line ahead, but I revise constantly.  Once that 'first' draft is finished I rewrite the whole thing maybe two times and it's then that I add lots of detail.  I don't outline - that works great for some, but not for me.

 

 


Q

Just wanted to pass on my thanks for the SHARPE books - discovered via the TV series and very much part of my reading nowadays.  My interest in Napoleonic Wars started with a series of novels I discovered as a teenager featuring a Lieutenant Carey of the 43rd which I have never been able to find again?

regards,

Grahame (Australia)   Have moved into your other books as well....

A

I’m almost certain you read the Carey novels by Ronald Welch . . a series of wonderful stories that follow the same family through history! I have the Napoleonic novel (I think there was only one, but can’t be sure), but not the others. I’m sure the whole series is still available in reprints.

 


Q

Nearly finished the last book - warriors of the storm- of your 9 book series, so sad that this is the finale, and I'm not looking forward to the last chapter. Just one observation. Throughout the 9 books you describe the pre Saxon people as the ancient ones, you never call them the Celts, is there a reason for that? I will miss Lord Uhtred.

Terry Irwin

A

They weren’t known as Celts in the 9th and 10th centuries, that’s why!

And I am almost finished writing the tenth book of the series so you won't have to miss him for too long!


Q

Questions;

1) Why do you think the Danes never used a lateen rig on their ships in lieu of a square rig, which would have given them up wind capabilities by tacking?  This technology was available at the time, and although their seamanship was extraordinary, it could have been greatly enhanced by a little homework.

2)  Why did they never adopt any of the available war  technology?  Did they never read of Greek Fire? A kind of napalm cousin made by mixing Naphtha, magnesium (to burn hotter), sulpher (to add oxygen), pitch and seal oil.. all readily obtainable and written of in Greek and Roman writings.  The stuff would stick, burn fiercely hot and could not be put out by water...wow!

3) Super-fire arrows.  Add the delivery system of an arbalest, a six or seven foot wide crossbow which fired  huge darts (bolts) several hundred yards, upon which shaft, flattish clay containers of the Greek Fire substitute were bound plus burning thatch and no ship could come within 300 yards and escape.

Had either side implemented the better sail rig, Greek Fire or an arbalest...whew!  Rewrite history!!

Karl Elshoff

A

As I understand it, the lateen is a far more difficult rig to handle in heavy weather – thanks to the sheer length of the spar – and ships built for the North Atlantic (where the vast majority of Viking ships sailed) had to cope with heavy weather. I seem to remember that Spanish shipmasters in the mediaeval period would use both rigs, lateen for sailing the Mediterranean and changing over to a square rig if they went west of Gibraltar, and that suggests that the guys who really knew about it understood the problem! It also occurs to me that a lateen rig might be fairly efficient on one tack, but the fact that spar (and therefore the sail) must be constrained by the mast on the other, doesn’t make it as effective on the contrary tack. I’m sure the Vikings knew of the lateen rig, and possibly some longships were rerigged if they were based in the Mediterranean, but if the lateen had really been more effective in the Atlantic then, trust me, they would have adopted it! These guys knew what they were doing, and so did mariners in succeeding centuries and, again, the lateen rig didn’t spread to the Atlantic (except in a smaller form on the mizzen). So they didn’t think it was a better rig, and I trust their knowledge!

As for Greek Fire, yes it’s a stunning weapon, and those guys loved wonderful weapons. If they had known its composition and how to project it, trust me they would have adopted it, but they simply didn’t know! The recipe was lost, which is why it wasn’t used in the Middle Ages either. It isn’t stupidity, or a reluctance to try new things, it’s simple blameless ignorance. As for the arbalest, they knew about it, but on board a ship an arbalest would be incredibly clumsy, slow to reload, difficult to aim, heavy and generally useless unless your enemy conveniently stayed motionless!


Q

Huge fan, favorites being the Sharpe novels, last 2 of Starbuck, and the Saxon Chronicles Was interested there seems to be no mention or link to the accompanying reference books by Mark Adkin: The Sharpe Companion, and the Sharpe Companion: The Early Years I would recommended these books to any Sharpe fans as they give a real extra taste to the novels with more historical facts, an insight into your fascinating blend of who was real and who was fiction, and more of their back story, plus extra detailed maps on the campaigns.

I would be interested to know what you thought of these books, and more importantly are they the only direct reference novels to this or any other of your series?

Gareth

A

You will find Mark Adkin's The Sharpe Companion as well as the equally good Marching With Sharpe by B J Bluth on the 'Suggestions for Further Reading' page for the Sharpe books.  The link to the page can be found at the bottom of each Sharpe book listed on this website, but here is a link to that page as well:  http://www.bernardcornwell.net/readingclub/?series=the-sharpe-books


Q

Hello Bernard.

You've told us you're looking at starting a new series, so two questions: 1 - Will this be the Elizabethan era you were looking at a couple of years ago before deciding to stick with Uthred? 2 - Given the Uthred series still has a way to go before Englaland's final unifying battle, is there a chance Uthred's story will go the way of Starbuck's and become a "I do hope to get back to it one day" or will you go back to writing two books a year to get Uthred finished while still giving us the new series?

Chris

A

I won't know what's next until I start to write it!  Could be more Uhtred....


Q

Good Evening

I'm looking forward to the Starbuck Series, read your books. They're Great. Would you happen to know when and on what network it will be shown? I know you have no control over production. But thought I would ask if you knew any time frame it might happen. And does this mean you'll be writing more of Starbuck? Thanks for great reading.

D.Klose

A

I believe it is only in the planning stages now?  When we get more information, we'll be sure to post it to this website!