Dear Mr Cornwell
There is a error in Harlequin which I expect you already know about, but I’ll mention it anyway. Its not far into the Crécy section, in my paperback version its page 374.
It says :
‘That made sense. The ford by which the English army had crossed the Seine led only into marshland and forest.’
I believe this should say ‘Somme’ not ‘Seine’.
Also, I wanted to ask you about tempering realism in a novel, and why it is done. I am thinking about some examples I have seen in Harlequin in particular. Certainly nobody could complain about the grisly realism in your battles scenes, which are some of the finest I have read. But in other cases you seem to me to hold back.
For example in the immediate aftermath of the scene in which Jeanette is raped. You describe her shame and humiliation, but what about the extreme physical pain she must have been suffering ? It seems strange that it does not get mentioned at all. Did you not mention it because it was important to the plot that she escaped shortly afterwards, which a woman in agony and barely able to walk would not have been able to do ? Did you think it is acceptable to your audience to be blunt about the physical realities of battlefield carnage, but they would find a realistic description of the effects of rape too much ?
The other thing I have thought about is the language which the archers and the common soldiers use. These are coarse, callous, violent dangerous men, and it seems to me that their language would have been peppered with the f-word (or the medieval equivalent). Yet you don’t do this. To be honest I’m glad you don’t, but was this a conscious decision on your part ? Was it because of what you felt would, and would not be, acceptable to your audience ? You mostly limit their adjectives to ‘bloody’ or ‘goddamn’ which seem a bit toned down in the circumstances.
I am trying to write something myself, and judging just how much to ration realism is turning out to be far trickier than I thought. Any advice you have on the subject would be very helpful.
Regards
Kath