Your Questions

Q

From your comments on here, from how you've written in your books, it's very clear you admire The Duke of Wellington as a General/CO.

I am perhaps in a serious minority here that would say he was actually a better General/Tactician than Napoleon.   I appreciate how strange that statement seems. I realise it makes me look completely foolish............however.............

When I think of the columns attacking, it puts me in mind of cannon fodder.  A tactic based on the front ranks effectively 'committing suicide' for a man they absolutely loved.  And whilst I accept it was effective and it was how battles were fought in that era, I'm really sorry it does strike me that Napoleon almost had a "life is cheap" attitude.  But also, a General like Wellington quickly realised that as long as his men stood, platoon fire would see off those massive columns, Of course Napoleon was a massive advocate for Artillery and he used that effectively.

But if I were told now I was going to be placed back in time as a new recruit (I have a French surname) and I was told I had to choose between fighting for Wellington or Napoleon.  Regardless of the outcome of the battle, I'd feel more confident of living if I chose fighting for Wellington.

Taking away your knowledge of the outcomes of each battle.  From your comments on here, from how you've written in your books, it's very clear you admire The Duke of Wellington as a General/CO.

I am perhaps in a serious minority here that would say he was actually a better General/Tactician than Napoleon.   I appreciate how strange that statement seems. I realise it makes me look completely foolish............however.............

When I think of the columns attacking, it puts me in mind of cannon fodder.  A tactic based on the front ranks effectively 'committing suicide' for a man they absolutely loved.  And whilst I accept it was effective and it was how battles were fought in that era, I'm really sorry it does strike me that Napoleon almost had a "life is cheap" attitude.  But also, a General like Wellington quickly realised that as long as his men stood, platoon fire would see off those massive columns, Of course Napoleon was a massive advocate for Artillery and he used that effectively.

But if I were told now I was going to be placed back in time as a new recruit (I have a French surname) and I was told I had to choose between fighting for Wellington or Napoleon.  Regardless of the outcome of the battle, I'd feel more confident of living if I chose fighting for Wellington.

Which one would you choose?  Taking away your knowledge of the outcomes of each battle.

Lee

A

I do admire him very much and, like you, I’d rather serve the Duke than the Emperor! That said remember that Wellington never fought campaigns on the sheer scale of Napoleon. That isn’t to diminish him; his handling of the Peninsular Campaign was masterly, but he was not running an empire at the same time, nor was he faced with a multiplicity of enemies on different fronts. Perhaps the major difference is that Napoleon was, without doubt, addicted to war. He loved it. The Duke did not. War, for him, was a means to secure a peace (though only on terms advantageous to the British). He also had fewer men than the Emperor, and knew replacements were scarce, so he fought (on the whole) more cautiously. Comparisons, as we’re often told, are odious, but they were both great soldiers, yet I think the Duke was probably the better one.


Q

Mr. Cornwell,

I continue to be a huge fan of all your books, and find myself quite often going back for a 2nd and 3rd read of many. I'm getting close to a 4th read on a few!  Thank you for bringing history alive and giving me many hours of enjoyment.

I recently embarked on writing my first book.  I am currently deep into researching the time period, and the historical figures that the story will be based on while also trying to get words down pages daily.

While a few historical texts, both ancient and recent exist for this period, many details of the main protraganist's life, as well as of the contemporaries that will fill the story, are very sparse.  I also find that while there seems to be a general common summary and belief of how things turned out various scholars over time have tended to contradict each other on specific dates, how key events transpired, and how they have interpreted the lives and motivations of key subjects.  At the same time though I have picked up on some common threads of information and insight that weave through all of the writings.  The challenge is that those threads keep leading me down a creative path that in many ways contradict the general summary and world view of these people and events as presented over the last thousand years by writers and historians.  I am torn between trying to tell the story in line with prevailing themes, or striking out in some new directions.  Key dates and actual events would remain consistent with the "majority" view on the history, but some of the characterization, and dramatic arch of certain story lines would be breaking new ground.

My questions for you are:

1) In your books what is the furthest you have strayed from known, or generally agreed upon historical fact to drive your story?

2) Has push back from historians, or armchair historians ever derailed a book for you?  Published or unpublished?

3) Would you recommend reaching out to historians directly?  I would love to bounce my ideas off someone with deep knowledge and expertise, but being a first time novelist I am nervous about approaching published academic historians. Have you done that much, and do you think it is worthwhile?

Well…..a million more questions, but I'll stop with that.

Cheers,

David Ruehr

A

1) It’s hard to say, and that’s not evasive! If you’re writing about the Dark Ages (whatever they are) then of course you’re inventing a vast amount, but you can’t do that if you’re telling a story about, say, the American War of Independence. Really you must make the judgement because you know the facts, but so long as you don’t alter the shape of history then surely the details don’t matter. And you can always confess your alterations in a note at the end of the book.

2) Never. It’s your book!

3)  No! Not unless you have a specific query that can’t be answered in any other way! Your job is to tell a story, not teach history.  Everything, even the history, has to serve the story.  Of course it’s good to get the history right, but the hard work is the story!


Q

Hi Bernard,

[Bit of a SPOILER here so fair warning to those who haven't yet read the book] I'm currently reading 'Waterloo' and on pages 48 and 49 you raise an interesting point: why did news of Napoleon's advance through Chaleroi take ten hours instead of four? Wellington claimed the courier who delivered such reports had to be 'the fattest in all the Prussian army' as reasons for such lateness! However, I'm wondering whether the Duke feigned ignorance, playing it coolly and calmly, just as when he'd discovered he'd been 'humbugged' whilst attending the Duchess of Richmond's ball (which as you pointed out had become a convenient command HQ as most senior army personnel were already nearby). Besides the fact he wanted to remain in place to safeguard his route of reinforcement - and line of retreat - he wasn't really certain which way Napoleon would jump. Possibilities of feints, false or erroneous reports, rumours, all clouded that vital issue of where the main attack would come. But do you believe Wellington told a 'white lie' in order to buy more time for his troops to prepare? He wasn't one for rash action, more calculated strategy, and took matters at a more cautious pace. Normally, the Prussian army prided itself on exemplary standards; it could be that the Prussian messenger had trouble reaching Brussels (having to skirt round French patrols, for example) rather than a lax attitude towards duty. Whether he received any report from Chaleroi, at 9am or 3pm, do you think Wellington feigned ignorance to sit back, prepare, and to draw the French in to a battleground of his choosing?

Robert Douglas

A

I suspect the message was routed through Blucher’s headquarters (which would have necessitated a much longer journey) because there was no joint command structure and von Zeithen (I think, I’m writing from memory) probably thought his duty was to pass his news up the Prussian chain of command and that someone senior would be responsible for informing Wellington. That is supposition, but what is certain is that Wellington did not hear of the fighting on the Charleroi road till mid afternoon.  I don’t think Wellington feigned ignorance. He was properly cautious about a French advance on the Mons road, and early reports spoke of fighting there, and it took till the evening for him to discover that the French to the west were merely cavalry patrols. He would have concentrated his army much earlier if he’d been certain that the report he received at 3 pm was accurate.  There is an argument that he should have concentrated his army eastwards whatever happened, simply to draw nearer Blucher, but he was unwilling to have his lines of communication cut – his retreat route to Britain if it all went wrong – so he didn’t!

 


Q

Ok, I heard about Sharpe's Father riddle and I've been thinking about since.

However I have a few questions, you know, to narrow it down a little

1) is he mentioned in the books?

2) is he fictional?

3) is he Hornblower? (Wild guess, but there is a chance!)

 

Thanks a lot!

Chase

A

No

Probably, but I don’t know for sure

No


Q

Mr. Cornwell,

Is there any possibility of your "filling in the gap" as to how Thomas of Hookton became a lord and lived out his days?

Racquel Fagon

A

None at all, unless I change my mind!


Q

Hi, Mr. Cornwell.

I have a question for you.In one of the books "The Warrior Chronicles", the Danes try to crucify a priest and they say it is impossible to kill someone that way . Some say that the real way to punish a criminal in Rome was on a stake , not on a cross. Your research to write the book led you to that conclusion , or is it just a curiosity portrayed in the book ?

Eugênio Barros

A

Of course it was possible!  They just messed it up! The problem, I’m assured, is securing the hands (wrists?) to take the weight. I confess I haven’t experimented.


Q

Hi there,

I couldn't find the father riddle on your website, saw it on Wikipedia so it may have been solved.

I was just guessing he's a stable hand who fixes up horses to the carriages/carts but isn't in fact a coach driver?

WR

A

Way way wrong, sorry!


Q

I want to let you know that I really loved the Saxon Stories and it has been a pleasure reading the entire series. I read an interview where you said that you drew your inspiration for the series from Anglo-Saxon poetry. I was wondering if you could suggest some of that poetry for me to enjoy.

 

Thanks

Zachary Wingfield

A

Almost all Anglo-Saxon poetry can be gathered in one fairly small volume. The one I have is so old and long out of print that I can’t recommend it, but I’m sure a search on Amazon will find something similar (though do make sure it has a parallel translation into modern English). The Seamus Heaney translation of Beowulf is superb. I like many of the shorter poems; The Wanderer and The Safarer. You’ll probably find them online!

 


Q

I have enjoyed your books so far and am proceeding the read them all, but I have noticed in"The Warrior Chronicles" that there is little mention of the "Angles", so at this point I have to admit I thought they had played a more import part of English history during the period covered by your novels.

E. Barry Bruyea

A

You’re quite right, they did. I took a decision, perhaps the wrong one, to simply refer to both Angles and Saxons as ‘Saxons’. Uhtred is, in truth, an Angle, but the enemies of the Saxons tended to lump them all together as Sais (Saxons), though of course it was the Angles who would give their name to the language and, eventually, the country.

 


Q

This is a complete stab in the dark guess, but from a post I read earlier someone made a reference to you saying Sharpe's father was not unlike the Scarlet Pimpernel. I'm 99.9% sure I'm wrong, but he wouldn't happen to be a certain butler to the prince of wales, Mr. Edmund Blackadder III, as evidenced in the episode Nob and Nobility?

Either way, the thought of Blackadder being Sharpe's father has me snickering as I type this. Keep up the good writing, I look forward to your next publications stateside in the U.S. in January!

Cameron Stewart

 

OK, if Sharpe's father is not Carlton, what about Charles Darnay? I ask because you suggested a previous correspondent who put up the Scarlet Pimpernel Sir Percy Blakeney, was close and I figured the Tale of Two Cities was another option. If it's not those two, should we keep mining that genre?

Chris

 

Mountjoy?

Paula

 

Having now completed the latest Uthred installment - excellent as ever of course - I can now return my attention to other important matters such as Sharpe's Father!

Going over some of the clues and guesses I've seen over the last few years, I reckon you've confirmed the following... would I be correct?

  • smuggler
  • fictional character
  • old/young enough to father a child in London circa 1776/7
  • not a character in another BC novel
  • NOT: Scarlet Pimpernel, Father Davey, Ross Poldark, Doctor Syn

Phil Dean

 

A

No!

Keep trying!

Not him either!

Yes, maybe, probably, true, agreed.