Dear Bernard, I have been a long time fan living in Rhode Island and am quite proud that you are an adopted New Englander. I am amazed by your vivid and detailed descriptions of hand to hand combat - throughout the ages that your characters inhabit. You accurately depict the beauty (as a well-choreographed type of dance) and the savagery of hand to hand (man to man) fighting. I know you to be a kind and gentle soul, so I do not think that you are secretly a third degree ninja black belt assassin! So how do you work out these fight scenes? Do you envision each step, thrust, and lunge in your head, taking into account balance, feints and parries? Or do you call your lovely wife over and say "Honey, if I lunge at you in this manner, and you turn this way, and then I feint like this, are you off balance or can you counter this way?" I know that you are a great reader, but like dance, fencing and the like, one can not learn these arts just through reading. Just curious from Rhode Island - but if I ever see you in a dark alley, I am giving you a wide berth, and just in case you ARE a third degree ninja black belt assassin!
Randy
It's all choreographed in my head! Can't imagine my wife helping . . . one deadly threat and she'd drop immediately into a pacifist yoga pose, which is no fun at all. Right now I'm trying to work out the choreography of Agincourt . . . one authority claims the front lines both fought with shortened lances, but they would be useless after the first clash, so how did they dispose of them and get hold of the real killing weapons? An answer will emerge, I'm sure . . . . .