Mr. Cornwell, Hello Again, I hope the composition of your Agincourt novel is going smoothly- do you have a title yet?
Recently you let slip that reading about the events of 1414 made something click into place for you- does it have anything to do with Sir John Oldcastle and the Lollards by any chance? I'll understand if you don't answer straightaway since you are in the midst of writing it. I have taken to going through the Agincourt muster rolls that are available online and trying to pick out names I think sound properly "Cornwellian" and jotting them down so that when your book comes out I can see if I have a knack for character-naming like you do- I'll keep the list to myself for now of course, but it's a fun little exercise. I am immersed in a similar project trying to pick out names I can use from the lists of American soldiers held by the British in the prison hulks off the shores of New York during the American Revolutionary War. But don't worry- I'm not planning on writing anything as ludicrous as Mel Gibson's The Patriot.
Your recent reply panning his depiction of Tarleton was spot on. Why do you think most American writers romanticize the image of the militias during the war, like Francis Marion for example, who had little organization, military skill or discipline, and who only turned out (if at all) when their immediate area was threatened and then went back to all the comforts of home with little regard for the "big picture" of the war effort? It seems to me that the real story is with the men who were in the Continental Army, who had to march far and wide suffering disease, starvation, poor supplies, exposure, army discipline, the reverses caused by inept leadership and the derision of their own countrymen. Wouldn't you agree?
I'd also like to thank you again for introducing me to the works of George Shipway and Alfred Duggan. I have been flying through all their books as soon as they arrive in the mail- they have much to do with the recent dwindling of my daily page quota, but I can't resist them all the same. Each book I complete is like a class in Historical Adventure writing. I think it's time well spent away from the word processor. I feel like I have a whole new set of influences beyond the "modern" set that I would classify as including C.S.Forester, Alex Kent and yourself. I just finished Shipway's Free Lance and it seems to prefigure your excellent India Trilogy, being set just after Seringapatam and depicting the dubious behavior of the British mercenaries affiliated with the East India Company, who remind me of Col. William Dodd from your India stories, I view it as almost a companion novel. Was Free Lance any specific influence on your books? My favorite Shipway thus far is still Warrior In Bronze. Anyway, thanks for taking the time to look at my letter. R. Kulb